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In the second instance, at the looted shopping sequence of La Haine is a classical montage of different shots centre, there is a breakdancing display and again the camera of demonstrators, riot police and images of resistance cut is static and the shots jump from oneVincent Cassel and Saïd hmaoui in La Haine, 1995 Find this Pin and more on cultmovies by Mohamad Reza Vincent Cassel La Haine Film I Love Cinema Jean Luc Godard Arte Obscura Applis Photo Film Aesthetic
